|
Home >
Articles > Photographing Woodturnings
How I Photograph my
Woodturnings for the Website
|
Selling craftwork on the
internet is not easy. It is not always
easy for the visitor to assess the
quality of the work, but good
photographs can go a some way to
remedying this. It is important to
remember that a picture on the web is
typically just a few hundred pixels wide
and high. It is not easy to show the
qualities of your work with such low
resolution. In this article I will tell
you some of the techniques I use to
improve the quality of my website
pictures. |
 |
|
I
am using a Sony Mavica MVC-FD81
for all the pictures on this page.
Digital photography allows me to
take a shot and check it out
straightaway on the computer. |
|
Good lighting, a plain background and
space to work are three essentials
elements to taking a good photograph.
I prefer to work with natural light. Flash
on camera can lead to heavy shadows, and a
good off-camera flash system is expensive.
In this example I am working with light
from a north facing window. It is January,
there is snow on the ground and the sky is
overcast, which leads to good white light
and avoids the blue tint that can be a
problem in shadows on a sunny day.
The background consists of two sheets of
white card covered with a layer of white
tissue paper to create an even gradient
between horizontal and vertical. Textiles
can work well, but choose something with
no texture (that can cause problems with
jpeg compression) and no sheen. I don't
use fabric myself because it is so hard to
keep clean in a dusty woodshop.
A tripod is a very useful
accessory. It allows you to take the
camera to the computer to download the
pictures for checking. You can then return
the camera to exactly the same spot to
take more pictures if anything needs
adjusting.
|
|
Getting the exposure
correct is very important. Although some
manipulation can be done afterwards by
software, you can't make a really good
picture from a poorly exposed
photograph.
The pictures here have been taken at
various exposure corrections to
determine which I should use when taking
the real ones. Other than reducing the
size of the picture and applying jpeg
compression, no software modifications
have been made. |

|
|
This
picture was taken with no exposure
correction
|
|

|

|

|
|
-
1.5 EV
|
-
1.0 EV
|
-
0.5 EV
|
|

|

|

|
|
+
0.5 EV
|
+
1.0 EV
|
+ 1.5
EV
|
|
You can see how quite a
bit of exposure correction may be
needed. This is caused by the large
white background, which makes the camera
think there is more light than there
actually is. Some cameras have various
automatic exposure modes that will take
the light level reading from a spot in
the center of the frame.
|
|
The angle at which the
photograph is taken can have a huge
effect on the impact of the photograph.
This next series of shots illustrate how
rotating the item affects both the power
of the composition, and the way in which
the light plays on the textured and
smooth areas of the item. |
|
|

|

|

|
|
1 -
Looking straight on gives a rather
two-dimensional appearance. It does
however show the true proportions of the
item, and the nice round center piece.
|
2 -
Rotating the object has created a little
more dimension to it. However the
lighting is a little flat.
|
3 -
Rotating it the other way has created a
better lighting effect which highlights
the shape of the object. See how the
shadow on the side adds impact to the
picture, compared to the previous shot.
Notice also the highlight along the
blackwood - this helps to show that it
is round. |
|

|

|
|
|
4 - This
one has been rotated even further. It
becomes even more dramatic, but I have
lost the highlighting on the blackwood.
Notice how the aspect ratio of the
picture has changed compared to shot 1.
This photo might be useful to go in a
sidebar or vertical banner.
|
5 -
Compare this shot to #3. The
relationship between the camera and the
object is the same, but I have rotated
them both relative to the lighting.
Notice how the texture on the face is
coming to life in this shot.
|
|
|
Don't feel that you have
to choose just one photograph to
illustrate your product. I used photos
1, 3 and 5 on the finished web page for
this item.
And keep all the shots which are
technically acceptable. You never know
when you may need them for another place
on your site, or for creating a banner
advert.
And above all, when you are taking the
photos, examine all possible angles and
study carefully how the light is playing
on the object. Don't be afraid to take
close-ups of just a part of the object
as I have done in these two shots. They
say a lot more about the character of
the piece that a shot of the whole item. |
|
Check out my page of past
work, and also the one-of-a-kind
pieces that are still available for
sale. There you will find more shots
that will illustrate how different
angles can show off the details in a
piece. |
Other online resources:
Taking
Quality Slides
Basic
Jewelry Photography
|
|
|
 |
|

My blog for woodturners. Tips, links, news and inspiration.

Updates about products and offers; insights into the life of a
woodturner; woodturning tips.

Contents list and search engine.

Some of my unique designs which have now found a good home.

On the Sunrise Trail, Nova Scotia
|